Critical Line

A collaborative journal/project rethinking expanded contemporary art and exhibition; a sketchbook of ideas and practice. Please add, contribute, and collaborate.
TriQuarterly’s inaugural video essay edition is out and definitely worth a look (Curated by John Bresland and Marilyn Freeman). Nice work and impressive venture.   How does the visceral nature of digital technology—sound, image and the sometimes cruel edgelessness of the screen—alter the writer’s relationship to language? The seven video essays in this collection, curated by John Bresland and Marilyn Freeman, raise a host of thrilling questions, not least: How is writing today different than it was yesterday? What does it mean for writers to build a text with, as Virginia Woolf once cannily advised, whatever pieces come your way?

TriQuarterly’s inaugural video essay edition is out and definitely worth a look (Curated by John Bresland and Marilyn Freeman). Nice work and impressive venture.  

How does the visceral nature of digital technology—sound, image and the sometimes cruel edgelessness of the screen—alter the writer’s relationship to language? The seven video essays in this collection, curated by John Bresland and Marilyn Freeman, raise a host of thrilling questions, not least: How is writing today different than it was yesterday? What does it mean for writers to build a text with, as Virginia Woolf once cannily advised, whatever pieces come your way?
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